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Running with Scissors

A Memoir

Audiobook
1 of 1 copy available
1 of 1 copy available

The #1 New York Times bestselling memoir from Augusten Burroughs, Running with Scissors, now a Major Motion Picture!

Running with Scissors is the true story of a boy whose mother (a poet with delusions of Anne Sexton) gave him away to be raised by her psychiatrist, a dead-ringer for Santa and a lunatic in the bargain. Suddenly, at age twelve, Augusten Burroughs found himself living in a dilapidated Victorian in perfect squalor. The doctor's bizarre family, a few patients, and a pedophile living in the backyard shed completed the tableau. Here, there were no rules, there was no school. The Christmas tree stayed up until summer, and Valium was eaten like Pez. And when things got dull, there was always the vintage electroshock therapy machine under the stairs....
Running with Scissors is at turns foul and harrowing, compelling and maniacally funny. But above all, it chronicles an ordinary boy's survival under the most extraordinary circumstances.

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    • AudioFile Magazine
      When Augusten Burroughs was 12, his mother handed him over to live with her extravagantly loony psychiatrist, along with the doctor's own wife and children and a number of extremely addled patients, some of them predatory. In this shambles of a household everything was permitted, including Augusten and his foster sister's decision to tear out the kitchen ceiling one night and cut a large hole in the roof to let more light in, which no one then knew how to fix, so no one did. Burrough's account of his deranged adolescence there is clear-eyed and often wildly funny. To hear it not only in his own words, but in his own voice in this fine production is ideal. B.G. (c) AudioFile 2003, Portland, Maine
    • Publisher's Weekly

      Starred review from February 3, 2003
      "Nobody ever told me what to do, so why did I always feel so trapped?" questions Burroughs (Sellevision), in this flawless audio adaptation of his alternately riotous and heartbreaking memoir. At age 11, when the mood of his family home changed from one of "mere hatred to potential double homicide," Burroughs found himself abandoned by his unemotional, professor father and chain-smoking, wannabe-poet mother. Dumped at his parents' psychiatrist's roach-infested Victorian home, which contained enough confusion to keep his mind off the fact that his parents didn't want him, the author recalls in a voice as mutable and unique as his unconventional childhood the bizarre details of daily life in a home where bowel movements were seen as messages from God, staged suicides were a means of quitting school and sexual relationships between boys and middle-aged men were deemed acceptable. Infusing each character with personality, Burroughs most brilliantly captures his mother's distinctive Southern inflection with a voice that sounds like its been through a curling iron and the booming, deep voice of the shrink who adopted him. Despite the often heavy content, Burroughs alleviates this gravity with his unwavering sarcasm and humor, further enhanced by his knack for employing kitschy cultural references to the 1970s and '80s. Based on the St. Martin's hardcover.

    • Publisher's Weekly

      June 3, 2002
      "Bookman gave me attention. We would go for long walks and talk about all sorts of things. Like how awful the nuns were in his Catholic school when he was a kid and how you have to roll your lips over your teeth when you give a blowjob," writes Burroughs (Sellevision) about his affair, at age 13, with the 33-year-old son of his mother's psychiatrist. That his mother sent him to live with her shrink (who felt that the affair was good therapy for Burroughs) shows that this is not just another 1980s coming-of-age story. The son of a poet with a "wild mental imbalance" and a professor with a "pitch-black dark side," Burroughs is sent to live with Dr. Finch when his parents separate and his mother comes out as a lesbian. While life in the Finch household is often overwhelming (the doctor talks about masturbating to photos of Golda Meir while his wife rages about his adulterous behavior), Burroughs learns "your life your own and no adult should be allowed to shape it for you." There are wonderful moments of paradoxical humor—Burroughs, who accepts his homosexuality as a teen, rejects the squeaky-clean pop icon Anita Bryant because she was "tacky and classless"—as well as some horrifying moments, as when one of Finch's daughters has a semi-breakdown and thinks that her cat has come back from the dead. Beautifully written with a finely tuned sense of style and wit—the occasional cliché ("Life would be fabric-softener, tuna-salad-on-white, PTA-meeting normal") stands out anomalously—this memoir of a nightmarish youth is both compulsively entertaining and tremendously provocative. (July)Forecast:Although some critics might be thrown by Burroughs's casual acceptance of an adult/child relationship, this could be a hit.

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  • OverDrive Listen audiobook

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  • English

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