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A Play for the End of the World

A novel

Audiobook
1 of 1 copy available
1 of 1 copy available
A dazzling novel—set in early 1970's New York and rural India—the story of a turbulent, unlikely romance, a harrowing account of the lasting horrors of World War II, and a searing examination of one man's search for forgiveness and acceptance.
“Looks deeply at the echoes and overlaps among art, resistance, love, and history ... an impressive debut.” —Meg Wolitzer, best-selling author of The Female Persuasion

New York City, 1972. Jaryk Smith, a survivor of the Warsaw Ghetto, and Lucy Gardner, a southerner, newly arrived in the city, are in the first bloom of love when they receive word that Jaryk's oldest friend has died under mysterious circumstances in a rural village in eastern India.
 
Travelling there alone to collect his friend's ashes, Jaryk soon finds himself enmeshed in the chaos of local politics and efforts to stage a play in protest against the government—the same play that he performed as a child in Warsaw as an act of resistance against the Nazis. Torn between the survivor's guilt he has carried for decades and his feelings for Lucy (who, unbeknownst to him, is pregnant with his child), Jaryk must decide how to honor both the past and the present, and how to accept a happiness he is not sure he deserves.
 
An unforgettable love story, a provocative exploration of the role of art in times of political upheaval, and a deeply moving reminder of the power of the past to shape the present, A Play for the End of the World is a remarkable debut from an exciting new voice in fiction.
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    • Publisher's Weekly

      July 12, 2021
      The historical performance of a Tagore play by a group of children in a 1942 Warsaw Ghetto orphanage inspired this arresting debut from Chakrabarti. In a prologue, nine-year-old Jaryk and his best friend, Misha, prepare to perform Tagore’s Dak Ghar, which is about a group of terminally ill children and was chosen by the orphanage’s teacher as a way to prepare for the horrors to come. Chakrabarti then jumps to 1972, when Jaryk flies from his home in New York City to Calcutta to retrieve Misha’s remains from a small village. Misha was there to stage a 30th-anniversary production of Dak Ghar, which also resonates with those impacted by the Bangladeshi refugee crisis. Details of the children’s doomed deportation from the orphanage to Treblinka emerge, along with the story of how Jaryk had escaped from the S.S. and survived in the woods with skills Misha had taught him. In India, Jaryk gets swept up in the production Misha left behind, oblivious of the turbulent local politics that drove the play’s production, and which might also be behind Misha’s death. Chakrabarti moves the reader seamlessly through the nonlinear narrative and brilliantly conveys Jaryk’s survivor’s guilt from WWII, which is doubled by the loss of Misha. This trenchant story will move readers. Agent: Julie Stevenson, Massie & McQuilkin Literary Agents.

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  • OverDrive Listen audiobook

Languages

  • English

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