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Antiquities

Audiobook
1 of 1 copy available
1 of 1 copy available
From one of our most preeminent writers, a tale that captures the shifting meanings of the past, and how our experience colors those meanings.
Lloyd Wilkinson Petrie, one of the seven elderly trustees of the now defunct (for thirty-four years) Temple Academy for Boys, is preparing a memoir of his days at the school, intertwined with the troubling distractions of present events. As he navigates, with faltering recall, between the subtle anti-Semitism that pervaded the school's ethos and his fascination with his own family's heritage—in particular, his illustrious cousin, the renowned archaeologist Sir William Matthew Flinders Petrie—he reconstructs the passions of childhood encounter with the oddly named Ben-Zion Elefantin, a mystifying older pupil who claims descent Egypt's Elephantine Island. From this seed emerges one of Cynthia Ozick's most wondrous tales, touched by unsettling irony and the elusive flavor of a Kafka parable, and weaving, in her own distinctive voice, myth and mania, history and illusion.
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    • Publisher's Weekly

      December 14, 2020
      Ozick (Foreign Bodies) delivers a beguiling novel of a man living in the past. In 1949, Lloyd Wilkinson Petrie, a retired lawyer estranged from his friends and his only son, has returned to live at the Temple Academy, the boarding school he attended as a child, which has been converted into a makeshift retirement home for its trustees. There, with his beloved Remington typewriter, he labors over his memoirs. His account revolves around two axes: his childhood fascination with the archaeological adventures in Egypt of his distant cousin Sir William Matthew Flinders Petrie, which Lloyd’s father impulsively joined, and a school-age infatuation with a mysterious classmate, Ben-Zion Elefantin, who claimed to be from Egypt. Ozick is adept at capturing the vicissitudes of fading memory or flashes of lucid insight, and she unspools the story at a brisk pace. While Petrie’s lively venom and wit are sometimes overdone by Ozick’s overwrought efforts to develop his private-school mannerisms (Ben-Zion Elefantin has a “farcical pachyderm name”; Temple retains “Oxonian genuflections”), the novel becomes a fascinating portrait of isolation, memory, and loss as Petrie’s health and the state of Temple become more perilous. While it doesn’t reach the heights of her greatest work, this is impressive nonetheless. Agent: Melanie Jackson, Melanie Jackson Agency.

    • AudioFile Magazine
      Edoardo Ballerini's subtle, fluent narration is perfect for Ozick's subtle, exquisitely fluent narrative voice. The revered storyteller seems to transcend time and place in this long story set in the late 1940s but rooted in the customs and prejudices of an even earlier era. Her aging narrator looks back on his time at a privileged boys' school, where he befriended an outcast boy and himself became an outcast. The narrative hinges not on events, but on shades and degrees of tone and emotion, and on the point-counterpoint of two different stages in the narrator's life. Ozick, our most Jamesian writer, has found her ideal narrator in Ballerini, who shares her grace, sensitivity, and intelligence. D.A.W. © AudioFile 2021, Portland, Maine

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  • English

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