Starred review from October 2, 2017
Set in Detroit, this relentless thriller from Dolan (The Last Dead Girl) focuses on an ex-cop’s search for the man who murdered his wife. Two years after Jack Pellum’s beloved Olivia, a photographer, was strangled near the Huron River, Jack remains obsessed with finding the killer, whom he believes to be a man wearing a fedora he saw watching her a few days before her death. He continues to blanket the city with flyers bearing the suspect’s image. Then Carl Dumisani, his former partner, reports that someone has written, “There’s a killer, and he wears a crooked hat,” on the wall near the body of a recent suicide. This news leads Jack to Paul Rook, who thinks that his mother was killed by Olivia’s murderer. Dolan has a gift for making the circumstances of even minor characters moving, such as a 30-something man resigned to a meaningless life working in a coffee shop. Superior prose, plotting, and characterization put Dolan in the top rank of crime novelists. Agent: Victoria Skurnik, Levine Greenberg Literary Agency.
October 15, 2017
A private eye's dogged search for his wife's killer uncovers a cascade of murder that reaches back 20 years. In the two years since his wife, photographer Olivia Makinnen, was strangled on the shore of the Huron River, Jack Pellum has thought of nothing but the man he's convinced killed her: a man wearing a fedora whom he'd spotted in the neighborhood a few days before she died. He's left the Detroit PD to pursue the case, hung up posters with a sketch of the man, and badgered Carl Dumisani, his former partner, for leads about similar murders. Now there's a lead so promising it's eerie. Just this week, Daniel Cavanaugh, a writer who hanged himself after his own wife's death, painted a message on his wall: "There's a killer, and he wears a crooked hat." Convinced beyond reason that the two men in hats are the same, Jack tears into Cavanaugh's background with the ferocity of a starving mastiff. He discovers that Cavanaugh's friend, odd-job man Paul Rook, saw the man in the hat nine years ago, two days before his mother, Bonnie Rook, was murdered, and that Cavanaugh's brother, Alex, was killed a decade before that. Unable to convince either Dumisani or Belleville Police Chief Keely Tanager that these deaths are all connected, Jack plows on and discovers still more victims. Dolan reveals in the opening chapter that the man Jack is looking for is Michael Underhill, a blandly self-excusing type whose unassuming profile makes him both easy to overlook and deeply disturbing. But although no human power can distract Jack from his mission, the impending mano a mano is deferred by a number of ungainly complications that make Dolan's extravagantly plotted earlier thrillers (The Last Dead Girl, 2014, etc.) look like models of coherence. "You're really something," the incredulous police chief tells the hero. "You want everything tied together." Well, yes. This investigation, at once remorselessly logical and remarkably diffuse, invites readers who want the same thing to take a closer look in the mirror.
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March 5, 2018
Dolan reveals the killer’s identity in chapter one of his latest, making it a whydunit, complete with twists and surprises aplenty. The characters offer reader Richards the chance to strut his stuff, and he doesn’t disappoint. The protagonist, Detroit ex-cop Jack Pellum, who Richards gives a deep, raspy voice, has devoted nearly two years of his life searching for a fedora-wearing man whom he saw eyeing his wife, Olivia, shortly before her murder. The obsession has cost him his job and maybe some of his sanity, but it’s starting to produce results, leading him toward the killer, Michael Underhill. Jack is driven and haunted, but always sympathetic, even when rudely refusing help from friends and his father, a powerful federal judge who expresses genuine empathy and love for his son. For the killer, an unruffled, pragmatic hit man, Richards uses a soft, quiet, thoughtful voice that’s tender in the presence of his girlfriend. As Jack proceeds to an inevitable confrontation with Underhill, meeting an assortment of people, Richards’s vocal range stretches from youthful brashness to aged croak. The multifaceted vocal performance accentuates Dolan’s fully realized characters, making this a satisfying audiobook. A Putnam hardcover.