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Portrait of an Unknown Woman

A Novel

ebook
2 of 2 copies available
2 of 2 copies available

Hidden identities, rising political and religious tension, sensual awakening, and artistic vision come together in Vanora Bennett’s luminous and absorbing historical novel of Tudor England reminiscent of the works of Phillipa Gregory, Sarah Dunant, and Tracy Chevalier.

1527. A dark curtain has fallen across Europe. Martin Luther’s break with the Vatican has led to civil war and artistic censorship, forcing the renowned portraitist Hans Holbein the Younger to flee to the safety of Tudor England. Under the patronage of one of Henry VIII’s most trusted and brilliant advisors, Sir Thomas More, Holbein painted two portraits of the More family over the course of five years. Though nearly identical, the second is different. Why? And what do these subtle differences mean?

In this sweeping epic, Vanora Bennett uses these two pictures to weave a wondrously imagined tale of Tudor England, witnessed through the eyes of Meg, More’s intelligent and headstrong young ward. Set against the turmoil, intrigue, and tragedy of Henry VIII’s court, Portrait of an Unknown Woman is the story of a woman torn between two remarkable yet radically different men—one she will love, the other she will marry. It also the story of a country torn apart by fanaticism, corruption, and the desires of a headstrong king. Rich with colorful detail, full of vibrant characters drawn from the pages of history, this magnificent novel hails the arrival of a visionary new writer and is sure to become one of the most talked about books of the year.

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    • Publisher's Weekly

      February 5, 2007
      British journalist Bennett (Crying Wolf: The Return of War to Chechnya
      ) makes her fiction debut with a sweeping reinterpretation of Sir Thomas More's family as it coped with the vicissitudes of Henry VIII's reign. Narrated by More's brilliant foster daughter, Meg Giggs, the narrative is framed by two paintings crafted five years apart by husky, ebullient German artist Hans Holbein; commissioned by the family, each was completed at radically different periods in the More clan's turbulent history. As the book opens, family tutor John Clement stimulates both Meg's apothecary interest and engages her in a love affair; she eventually marries him and bears him a son, though aware that Holbein also has romantic potential. As John, whose origins are shrouded in mystery, grows distant, Holbein returns to London to paint the More family again. Meanwhile, the Reformation bleeds across Europe, inciting religious upheaval, and Meg's staunch Catholic father continues to violently defend his faith against Protestant heretics. Duplicity involving Meg's flirtatious sister, Elizabeth, provides the novel's rousing climax. The vernacular doesn't quite hold, and the religious-political speechifying can be heavy-handed. But Bennett constructs lush backdrops and costumes, and has impeccable historical sense. She luminously shades in an ambiguous period with lavish strokes of humanity, unbridled passion and mystery.

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  • English

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