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They Can't Kill Us Until They Kill Us

Audiobook
0 of 1 copy available
0 of 1 copy available

*2018 "12 best books to give this holiday season" TODAY Show

*Best Books of 2018* Rolling Stone

"A Best Book of 2017" NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily

*American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads'

*Midwest Indie Bestseller

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly.

In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car.

In essays that have been published by the New York Times, MTV, and Pitchfork, among others along with original, previously unreleased essays Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

"Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." Greil Marcus,

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    • Publisher's Weekly

      Starred review from August 14, 2017
      Abdurraqib’s essay collection is mesmerizing and deeply perceptive. Most of the essays are about music, particularly live music, touching on how it acts as a balm in a time of fear and pain. One essay explores being an outsider among outsiders through Abdurraqib’s memory of being a black kid at an overwhelmingly white punk rock show, yet imbues this experience of loneliness with a sense of triumph. Not every music writer would think to connect the performative identities of the rap group Migos and Johnny Cash as Abdurraqib does, showing how both are based on an arguably inauthentic outlaw persona. All of the musicians discussed, including Carly Rae Jepsen and Chance the Rapper, are accorded respect, along with an understanding of what needs in their audience they satisfy. Abdurraqib’s essays linger on the black American experience, emphasizing the desire to be seen and the fear of being invisible. He doesn’t posit music as a cure-all for modern America’s societal ills—those he mentions include mass shootings, racial violence, and prejudice against Muslims—but also observes that it “isn’t only music” but a way of feeling a sense of belonging. Abdurraqib’s essays are filled with honesty, providing the reader with the sensation of seeing the world through fresh eyes.

    • Library Journal

      June 1, 2023

      Award-winning poet and essayist Abdurraqib (A Little Devil in America) narrates the audio edition of his 2017 essay collection, which includes observations and reflections about the intersection of music, popular culture, and social justice in the contemporary United States. The audiobook expands upon the contents of the print book by including Abdurraqib's conversational reflections on several of the essays, where he provides further context and information. Many of the essays focus on music, but Abdurraqib's taste and interests are varied, ranging from Fleetwood Mac's Rumours to My Chemical Romance and the emo scene of the early 2000s to Louisiana rapper Boosie. Abdurraqib's encyclopedic knowledge and insightful connections between popular culture and social justice, combined with his gift for language and metaphor, command listeners' attention. Throughout the book, Abdurraqib's narration has a fast, often poetic cadence full of emphatic pauses and breaths. Some listeners may appreciate the stream-of-consciousness feel, while others will find it exhaustingly frenetic. VERDICT Abdurraqib is one of the preeminent cultural critics of our time, and his insightful essays give listeners much to consider, so long as the narration style works for them.--Nanette Donohue

      Copyright 2023 Library Journal, LLC Used with permission.

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