June 11, 2012
The stories in Donoghue’s new collection all come, to varying degrees, from historical records; the author of Room, who studied 18th-century literature at Cambridge, has a gift for reading historical documents and picking out the odd, telling detail. There’s the Plymouth Plantation man who accuses his neighbors of indecency, in “The Lost Seed”; the woman who gives her daughter up for adoption, then writes the Children’s Aid Society demanding her return, in “The Gift”; the Tammany Hall bigwig found to be a woman, in “Daddy’s Girl”; all outlines begging to be filled in. The 14 stories are all short (many too short), and by the time they’ve set up the circumstances and the era, they’re almost done, and we’re leaving characters we know as creatures of a time and place rather than individuals. When Donoghue establishes a distinct voice and person, the stories are vivid, curious, and honest: we’ll remember the serial Puritan accuser and the young German soldier in revolutionary America long after we’ve forgotten other characters—like Jumbo the Victorian elephant and his keeper or the men who tried to hold Abraham Lincoln’s body for ransom—in stories that are notable more for the historical moments they reconstruct than for the people who inhabit them. Agent: Kathleen Anderson.
September 15, 2012
Fourteen tales of people cut loose from their roots--voluntarily or not. It's characteristic of the restless Donoghue to follow up a terrifying contemporary thriller and international best-seller (Room, 2010, etc.) with a collection of historical fiction. Past and present have held equal sway over her imagination in previous work, and three story collections have showcased her abundant gifts as aptly as her seven novels. This book demonstrates once again that there's little she can't do well; indeed, the afterword is as moving as the stories. Donoghue offers her own biography--Irish-born, Cambridge-educated, longtime resident in Canada--to explain her fascination with other wanderers trying to invent new lives for themselves. She can empathize with a Victorian Londoner forced into prostitution ("Onward") as well as with a buccaneering cheat who fraudulently obtains her husband's fortune and skips out of 18th-century New York ("The Widow's Cruse"). The gruff friendship-with-benefits of two gold prospectors in the Yukon ("Snowblind") is portrayed as tenderly as the marriage of two refugees from the Irish potato famine, thwarted of their reunion in Canada ("Counting the Days"). The collection's most wrenching tale, "The Gift," achieves the remarkable feat of bringing alive both the agony of a woman driven by poverty to give up her baby and the quiet dignity of the girl's adoptive father--in an exchange of letters, no less. Donoghue views her characters with determined generosity, even when their behavior is reprehensible: The first-person narratives of a vengeful Puritan settler in Cape Cod ("The Lost Seed") and a thoughtless white girl on a Louisiana plantation ("Vanitas") trace complicated motives and a desperation for love of which the protagonists may not even be aware. The short story can be a precious, self-enclosed form, but in Donoghue's bold hands, it crosses continents and centuries to claim kinship with many kinds of people. Another exciting change of pace from the protean Donoghue.
COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.
May 15, 2012
Emigrants and runaways, lovers and slaves. The characters in Donoghue's new story collection have all wandered far from home, and they've pushed psychological boundaries as well. The author of the Man Booker finalist Room, which has sold over a million copies, offers eye-popping stories with intriguing historical endnotes. Can't wait to read.
Copyright 2012 Library Journal, LLC Used with permission.
Starred review from September 15, 2012
Inspired by various newspaper articles and stories from the last four centuries, Booker Prize finalist Donoghue's (Room, 2010) masterful new short story collection explores the ways people's lives can take unexpected and unprepared-for turns. A fallen woman in Victorian England supports herself and her child by the only means available to her until her younger brother comes up with another option. As the Civil War rages on, a slave and his mistress plot a daring escape. A bitter Puritan seeks revenge upon two women who spurned him. A woman sails toward Canada to join her husband, not knowing he's fallen gravely ill with cholera. A lawyer sets his sights on a wealthy young widow who seeks his help. A young woman makes a startling discovery about her politically powerful father after his death in New York City at the dawn of the twentieth century. Donoghue details the particular historical source that inspired her at the end of each story, and she discusses how each one fits in with her overall theme in the afterword. Revolutionary-era New Jersey, Civil Warera Texas, the gold rush Yukon, and many other settings come to life in this wonderfully imaginative, transporting collection.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)
June 15, 2012
A woman in 1901 New York who discovers that her reputed father was actually a female in disguise. Two aging sculptors in 1968 Ontario, women before their time, reliving their glory days. A brother in 1854 London convincing the sister who's sold her body to support him to sell her story instead so that they can emigrate. A horrific instance of rape during the American Revolution. A mistress in 1864 Texas conniving to run away with her slave. These are among the stories in the new collection from Man Booker finalist Donoghue (Room), each inspired by a news account or letter and each a little gem. Donoghue's characters face struggle or loss with determined grace; their situations are inherently dramatic, but the writing is smartly underplayed, refusing to hit hysterical high notes. What's equally intriguing is that each story concludes with the account that inspired it, which lets readers see the leap from fact to fiction. VERDICT Working in a different vein from the wrenching Room, Donoghue has created masterly pieces that show what short fiction can do. Not just for devotees of the form. [See Prepub Alert, 4/12/12.]--Barbara Hoffert, Library Journal
Copyright 2012 Library Journal, LLC Used with permission.