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A Ride to Remember

Audiobook
1 of 1 copy available
1 of 1 copy available
When Sharon Langley was born in the early 1960s, many amusement parks were segregated, and African-American families were not allowed entry. This interesting tale reveals how in the summer of 1963, due to demonstrations and public protests, the Gwynn Oak Amusement Park in Maryland became desegregated and opened to all for the first time. Co-author Sharon Langley was the first African-American child to ride the carousel. This was on the same day of Martin Luther King Jr.'s March on Washington for Jobs and Freedom. Langley's ride to remember demonstrated the possibilities of King's dream.
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    • AudioFile Magazine
      The author joins narrators Lovell Diggins and Janina Edwards as she shares with listeners her experience as the first African-American child to ride the carousel at the long-segregated Gwynn Oak Park in Baltimore in 1963. Langley mimics a little girl's voice in recounting her conversation with her parents about their access to the park and the carousel. Diggins's deep baritone interjects the father's lines, disrupting the flow. Edwards's balanced and modulated voice and professional style save this useful story from being a parody. The timeline and historical notes are excellent--the carousel now graces the National Mall, and Langley's ride coincided with the 1963 March on Washington--but the audiobook suffers from uneven production. R.F.W. © AudioFile 2020, Portland, Maine
    • Publisher's Weekly

      Starred review from November 18, 2019
      Like many children, Sharon Langley took her first carousel ride supported by a parent’s steadying hand. But Langley’s August 1963 ride, a month before her first birthday, was also a landmark: the culmination of a sustained civil rights struggle to integrate the Gwynn Oak Amusement Park in Baltimore. Framed as a conversation between Langley and her parents, the story recalls the sustained efforts of people working together that made Langley’s ride possible. The structure of the carousel itself becomes an unexpected metaphor: “Nobody first and nobody last, everyone equal, having fun together.” Cooper’s richly textured illustrations, made using oil erasure on illustration board, evoke sepia photographs’ dreamlike combination of distance and immediacy, complementing the aura of reminiscence that permeates Langley and Nathan’s narrative. Robust supplemental information includes a bibliography, timeline, a note from Langley, and information about the carousel, which is now situated at the National Mall in Washington, D.C. Ages 6–9.

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  • OverDrive Listen audiobook

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  • English

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