April 27, 2015
This collection gathers 14 short stories written by the late fantasy author when he was a teenager. Dragons get ousted from their caves and take over a castle. The world’s most boring knight wins half a kingdom and the princess’s affection through sheer doggedness. A tortoise journeys far from home and discovers bravery and a new life. A champion “egg dancer” forfeits his win to catch some thieves. Fans of Sir Terry’s later work will recognize the seeds of some of his Discworld characters and themes in these tales: wordplay, puns, silly jokes, wonderfully goofy names, characters with strong ethics, and wild ideas grounded in reality. In the audio edition, musical interludes and other sound effects help to divide some of the very short
stories. Rind-Tutt’s flexible voice and spot-on accents allow listeners to immediately grasp the nature of the characters. His Scotsmen are daring adventurers, his upper-crust ladies have hooting, high-pitched voices, and the heroes sound sturdy and forthright. Parrots, princesses, tortoises, and very proper butlers all come to life. Rind-Tutt’s energetic performance is both goofy and warm, just perfect for Pratchett’s sensibilities. Ages 9–12. A Clarion hardcover.
December 22, 2014
In the 1960s, the young, not-yet-knighted Pratchett worked for the Bucks Free Press, a small British newspaper, where he began publishing children’s stories, 14 of which are collected in this volume. In the title story, King Arthur’s most junior knight, Ralph, “a small boy in a suit of mail much too big for him,” is sent to deal with a dragon infestation, but discovers that the creatures are entirely sensible chaps. “Tales of the Carpet People,” a precursor to Pratchett’s first novel, concerns a tiny tribe’s heroically goofy migration across a rug. And in “The Great Egg-Dancing Championship,” a skilled egg dancer (“A lot of eggs are rolled onto the floor and two dancers... have to dance blindfolded without breaking one”) must choose between the championship and the girl of his dreams. Though these stories lack the perfectly timed wordplay of Pratchett’s later work, they are a charming and funny sample of his early fictional imaginings. Accompanied by Beech’s wiry Quentin Blake–like illustrations, as well as numerous typographical flourishes, this volume will please both its intended audience and older Pratchett completists. Ages 9–12.